《
lǐ bái
李白
》
fēng bō
风波
bèi hòu
背后
de
的
bǎn quán
版权
hóng xiàn
红线
The Copyright Red Line Behind the “Li Bai” Controversy
wéi rào围绕gē qǔ歌曲bǎn quán版权zhēng yì争议,tǎo lùn讨论qīn quán侵权chéng běn成本yǔ与yuán chuàng原创bǎo hù保护de的zhòng yào xìng重要性。

Focusing on the song copyright dispute, this discusses the cost of infringement and the importance of protecting original works.

陈花
nǐ你kàn看zuì jìn最近nà那shǒu首《lǐ bái李白》de的bǎn quán版权fēng bō风波le了ma吗?xué shēng学生dōu都zài在wèn问wǒ我“fān chàng翻唱shì bú shì是不是suí biàn随便chàng唱dōu都xíng行”,wǒ我yī shí一时hái还zhēn真bù hǎo不好huí dá回答。

Have you seen the recent copyright controversy over “Li Bai”? My students keep asking me whether covers can be sung freely, and I honestly don’t know how to answer.

刘娜
wǒ我yě也guān zhù关注le了。qí shí其实fǎ lǜ法律zǎo jiù早就xiě写de得hěn很qīng chǔ清楚,shǐ yòng使用tā rén他人zuò pǐn作品bì xū必须huò dé获得shòu quán授权。dàn但hěn duō很多rén人zǒng总jué de觉得“xiān先yòng用zài shuō再说”,zhè这jiù就yǒu diǎn有点běn mò dào zhì本末倒置le了。

I’ve been following it too. The law has long made it clear that using others’ works requires authorization. But many people think “just use it first,” which really puts the cart before the horse.

陈花
duì对a啊,hǎo xiàng好像yī jù一句“yòu néng又能zěn怎”jiù就néng能bǎ把zé rèn责任tuī推diào掉。dàn但wǒ我zài在xiǎng想,rú guǒ如果měi gè rén每个人dōu都zhè yàng这样,yuán chuàng原创de的rén人qǐ岂bú shì不是xīn hán心寒?

Exactly. It’s as if saying “so what” can push away responsibility. But if everyone does that, wouldn’t original creators feel discouraged?

刘娜
méi cuò没错。gǔ rén古人jiǎng讲“shí nián十年mó磨yī jiàn一剑”,chuàng zuò创作běn lái本来jiù就bù yì不易。rú guǒ如果chéng guǒ成果dé bú dào得不到bǎo hù保护,shuí谁hái还yuàn yì愿意chén xià xīn lái沉下心来xiě gē写歌、xiě shī写诗ne呢?

That’s right. As the saying goes, it takes ten years to sharpen a sword. Creation is never easy. If results aren’t protected, who would still be willing to focus on writing songs or poems?

陈花
kě可xiàn shí现实shì是,qīn quán侵权chéng běn成本dī低,wéi quán维权què却hěn很nán难。yǒu xiē有些zhǔ bàn fāng主办方hái还hù xiāng互相tuī推zé rèn责任,gǎn jué感觉xiàng像zài在dǎ tài jí打太极。

But in reality, the cost of infringement is low, while defending rights is difficult. Some organizers even shift responsibility among themselves, like playing Tai Chi.

刘娜
zhè这zhèng shì正是wèn tí问题suǒ zài所在。guī zé规则rú guǒ如果bèi被dàng chéng当成“kě xuǎn xiàng可选项”,háng yè行业jiù就huì会biàn wèi变味。jiǔ ér jiǔ zhī久而久之,dà jiā大家zhǐ只zhuī qiú追求kuài qián快钱,wén huà文化yě也huì会biàn dé变得fú zào浮躁。

That’s exactly the problem. If rules are treated as optional, the whole industry will change in a bad way. Over time, people will just chase quick money, and culture will become superficial.

陈花
tīng听nǐ你zhè me这么shuō说,wǒ我tū rán突然jué de觉得,zhè这bù jǐn不仅shì是fǎ lǜ法律wèn tí问题,hái shì还是yī zhǒng一种tài dù态度wèn tí问题——duì对chuàng zuò创作de的zūn zhòng尊重。

Hearing you say that, I suddenly feel this is not just a legal issue, but also an attitude problem—a matter of respect for creation.

刘娜
shì是de的。bǎo hù保护bǎn quán版权,qí shí其实shì是zài在bǎo hù保护wèi lái未来de的zuò pǐn作品。fǒu zé否则nǎ tiān哪天wǒ men我们kè táng课堂shàng上lián连hǎo好de的lì zi例子dōu都zhǎo bú dào找不到,nà那cái才zhēn shì真是“wú mǐ zhī chuī无米之炊”。

Yes. Protecting copyright is actually protecting future works. Otherwise, one day we might not even find good examples for our classes—that would truly be like trying to cook without rice.

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